Buch

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Übersicht

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Verlag	:	Springer International Publishing
Buchreihe	:	Performance Philosophy
Sprache	:	Englisch
Erschienen	:	01. 08. 2018
Seiten	:	261
Einband	:	Kartoniert
Höhe	:	210 mm
Breite	:	148 mm
Gewicht	:	359 g
ISBN	:	9783319841793
Sprache	:	Englisch

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Autorinformation

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Will Daddario is Co-Editor with Karoline Gritzner of Adorno and Performance (2014) and with Laura Cull Ó Maoilearca of Manifesto Now! Instructions for Performance, Philosophy, Politics (2013). He is the Chair of the Performance and Philosophy Working Group within Performance Studies international and a founding member of the international network Performance Philosophy.

Inhaltsverzeichnis

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Introduction.- Part I. Baroque Pastoral.- Chapter 1. Garden Thinking and Baroque Pastoral.- Chapter 2. Pastoral Askew and Aslant.- Chapter 3. Jesuit Pastoral Theatre.- Part II. Discipline and Excess.- Chapter 4. Ruzzante Takes Place.- Chapter 5. The Enscenement of Self and the Jesuit 'Teatro del Mondo'.- Chapter 6. Baroque Diarchic Self.- Bibliography.- Index.

Pressestimmen

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“Baroque, Venice, Theatre, Philosophy is a clearly written, closely argued, and carefully drawn study of the Italian baroque in historical (sixteenth and seventeenth centuries), architectural, and metaphorical space and time.” (Spencer Golub,Theatre Journal, Vol. 71 (4), December, 2019)“A worthy addition to the Jesuit theater bookshelf.” (Kevin J. Wetmore, Journal of Jesuit Studies, Vol. 5, 2018)

Dein Warenkorb

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Deine Buchhandlung

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