Buch
Players, Playwrights, Playhouses
-Investigating Performance, 1660–1800-Michael Cordner; Peter Holland
Übersicht
Verlag | : | Palgrave Macmillan UK |
Buchreihe | : | Redefining British Theatre History |
Sprache | : | Englisch |
Erschienen | : | 24. 10. 2007 |
Seiten | : | 300 |
Einband | : | Gebunden |
Höhe | : | 229 mm |
Breite | : | 152 mm |
Gewicht | : | 603 g |
ISBN | : | 9780230525245 |
Sprache | : | Englisch |
Autorinformation
PAULA R. BACKSCHEIDER is Stevens Eminent Scholar at Auburn University, USA
HELEN BURKE is Professor of English at Florida State University, USA
MITA CHOUDHURY is Assistant Professor of English at Purdue University Calumet, USA
MICHAEL DOBSON is Professor of Shakespeare Studies at Birkbeck College, University of London, UK
LISA A. FREEMAN is an Associate Professor of English at the University of Illinois at Chicago, USA
SUSAN CANNON HARRIS is Associate Professor of English at the University of Notre Dame, USA
ROBERT D. HUME is Evan Pugh Professor of English Literature at Penn State University, USA
MATTHEW J. KINSERVIK is Associate Professor of English at the University of Delaware, USA
JUDITH MILHOUS is Distinguished Professor of Theatre at the Graduate Centre of the City University of New York, USA
SHEARER WEST is Professor of Art History and Head of the School of Historical Studies at the University of Birmingham, UK
Inhaltsverzeichnis
List of Illustrations and Tables Notes on Contributors Series Introduction: Redefining British Theatre History; P.Holland Introduction: Expanding Horizons; M.Cordner PART I: DRAMA, THEATRE AND HISTORY Theatre History, 1660-1800: Aims, Materials, Methodology; R.D.Hume Sleeping with the Enemy: Aphra Behn's The Roundheads and the Political Comedy of Adultery; M.Cordner Shadowing Theatrical Change; P.R.Backscheider Reading Theatre History from Account Books; J.Milhous PART II: CONTROLLING THE THEATRE Jeremy Collier and the Politics of Theatrical Representation; L.A.Freeman Reconsidering Theatrical Regulation in the Long Eighteenth Century; M.J.Kinservik PART III: THEATRE BEYOND LONDON Theatre for Nothing; M.Dobson Mixed Marriage: Irish Playwrights and the Hybrid Audience; S.Cannon Harris Country Matters: Irish Waggery and the British Theatrical Tradition; H.Burke PART IV: REPRESENTATIONS Universality, Early Modernity, and the Quagmire of Representing Race; M.Choudhury Hearing the Dead: The Sound of David Garrick; P.Holland The Visuality of the Theatre; S.West Index
Pressestimmen
'...a wealth of up to date research and information on 150 years of theatre history.' - Word Matters (The Journal of the Society of Teachers of Speech& Drama)