Buch
Truth Claims Across Media
Beate Schirrmacher; Nafiseh Mousavi (Hrsg.)
42,79
EUR
Lieferzeit 12-13 Tage
Übersicht
Verlag | : | Springer International Publishing |
Buchreihe | : | Palgrave Studies in Intermediality |
Sprache | : | Englisch |
Erschienen | : | 21. 12. 2023 |
Seiten | : | 339 |
Einband | : | Kartoniert |
Höhe | : | 210 mm |
Breite | : | 148 mm |
Gewicht | : | 470 g |
ISBN | : | 9783031420665 |
Sprache | : | Englisch |
Illustrationen | : | XIX, 339 p. 30 illus. |
Autorinformation
Beate Schirrmacher is an Associate Professor in Comparative Literature at Linnaeus University, Sweden. She is the head of the International Society of Intermedial Studies, and the co-editor of Intermedial Studies: An Introduction to Meaning across Media. Her research focuses on truth claims and narratives in journalism and the relations of music and literature.Nafiseh Mousavi holds a PhD in comparative literature and teaches intermedial studies at Lund University, Sweden. Her research focuses on the intersections of intermediality, migration, and memory practices. 
Inhaltsverzeichnis
Chapter 1. Introduction: The Dynamics of Truthfulness and Media.- Part I Factual Evidence and Coherence in Knowledge Communication.- Chapter 2. A Story Too Good to Be True: The Manipulation of Truth Claims in Faked News.- Chapter 3. The Montage of the National Past: Polish Right-Wing Illustrated Press and the Abuse of History.- Chapter 4. Trustworthiness in the Swedish Strategies for Covid-19 in Recorded Press Conferences from the Public Health Agency of Sweden.- Part II Personal Quests for Empirical Truth: Testimony and Media Hybridity.- Chapter 5. Unveiling Truth and Truthfulness in the Graphic Memoir Heimat.- Chapter 6. Cameras, Pencils, Traumas: Drawn Images in and as Documentary Practice.- Part III Fact and Fake across Media Types.- Chapter 7. Fictionality as a Rhetorical Tool in Political Mockumentary Films: The Interplay of Fictionality and Factuality in C.S.A.: The Confederate States of America.- Chapter 8. Clemens J. Setz on Bursting the Reader’s Reality Bubble.- Chapter 9. “An Occasionally True Story”: Biofiction, Authenticity and Fictionality in The Great (2020).- Chapter 10. Impure Realism, Pure Eventness, and Horror Cinema in the Post-truth Era: A Case Study of One Cut of the Dead.- Part IV Interaction, Trust, and Truthfulness on Social Media.- Chapter 11. Developing Misinformation Immunity in a Post-Truth World: Human Computer Interaction for Data Literacy.- Chapter 12. When the Post-Truth Devil Hides in the Details: A Digital Ethnography of Virtual Anti-Vaccination Groups in Lithuania.- Chapter 13. Towards a Grammar of Manipulated Photographs: The Social Semiotics of Digital Photo Manipulation.