Buch
Affective and Emotional Economies in Medieval and Early Modern Europe
Andreea Marculescu; Charles-Louis Morand Métivier (Hrsg.)
85,59
EUR
Lieferzeit 12-13 Tage
Übersicht
Verlag | : | Springer International Publishing |
Buchreihe | : | Palgrave Studies in the History of Emotions |
Sprache | : | Englisch |
Erschienen | : | 24. 05. 2018 |
Seiten | : | 278 |
Einband | : | Kartoniert |
Höhe | : | 210 mm |
Breite | : | 148 mm |
Gewicht | : | 379 g |
ISBN | : | 9783319869094 |
Sprache | : | Englisch |
Autorinformation
Andreea Marculescu is Lecturer in Women’s and Gender Studies at the University of Oklahoma, USA. Charles-Louis Morand Métivier is Assistant Professor of French at the University of Vermont, USA.
Inhaltsverzeichnis
I: Introduction; Andreea Marculescu and Charles-Louis Morand Métivier.- II: Subverting Emotional Norms.-  Passionate Politics: Emotion and Identity Formation Among the Menu Peuple in Early Fifteenth-Century France; Emily J. Hutchison.- Pity as a Political Emotion in Early Modern Europe; Natalia Wawrzyniak.- Issuing from the great flame of this joy”: Louise of Savoy, Marguerite of Navarre and Emotional Intimacy; Tracy Adams.- Histories of Emotion and Power: Catherine de Medici’s Advice to her Sons; Susan Broomhall.-  III: Affective Encounters.- Emotional Contagion: Évrart de Conty and Compassion; Beatrice Delaurenti.- Love Conventional/Love Singular: Desire in Middle English Lyric; Sarah Kathryn Moore.- Internal Theatre and Emotional Scripts in French Jesuit Meditative Literature; Jennifer Hillman.- IV: Authoring Emotions.- Cruelty and Empathy in Théodore Agrippa d’Aubigné’s Les Tragiques: The Gaze of and on the Reader; Kathleen Long.- Narrating a Massacre: the Writing of History and Emotions as Response to the Battle of Nicopolis (1396); Charles-Louis Morand Métivier.- ‘Doel’ in situ: The Contextual and Corporeal Landscape of Grief in La Chanson de Roland; Angela Warner.- Performing Chivalric Masculinity: Morality, Restraint, and Emotional Norms in the Libro del Cavallero Zifar; Kim Bergqvist.- V: Afterword; Stephanie Trigg.